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Possible Answers:
PIANO.
Last seen on: LA Times Crossword, Tue, Mar 14, 2023
Random information on the term “Upright __”:
Standard anatomical terms of location are used to unambiguously describe the anatomy of animals, including humans. The terms, typically derived from Latin or Greek roots, describe something in its standard anatomical position. This position provides a definition of what is at the front (“anterior”), behind (“posterior”) and so on. As part of defining and describing terms, the body is described through the use of anatomical planes and anatomical axes.
The meaning of terms that are used can change depending on whether an organism is bipedal or quadrupedal. Additionally, for some animals such as invertebrates, some terms may not have any meaning at all; for example, an animal that is radially symmetrical will have no anterior surface, but can still have a description that a part is close to the middle (“proximal”) or further from the middle (“distal”).
International organisations have determined vocabularies that are often used as standard vocabularies for subdisciplines of anatomy, for example, Terminologia Anatomica for humans, and Nomina Anatomica Veterinaria for animals. These allow parties that use anatomical terms, such as anatomists, veterinarians, and medical doctors to have a standard set of terms to communicate clearly the position of a structure.
Random information on the term “PIANO”:
Echo of the Mountain (Spanish: Eco de la montaña) is a 2014 Mexican documentary film about Santos de la Torre directed by Nicolás Echevarría. It was one of fourteen films shortlisted by Mexico to be their submission for the Academy Award for Best Foreign Language Film at the 88th Academy Awards, but it lost out to 600 Miles.
This documentary focuses on the work and life of Huichol artist Santos de la Torre, whose paneled mural has been displayed, since its inauguration by former Mexican president Ernesto Zedillo in 1997, at the Palais Royal station. However, the story that the audience learns from Santos is that he wasn’t even invited to its unveiling and how it was wrongly assembled. This is only how the film begins reflecting the oblivion and marginalization in which Santos and his people live in his own country.
Echevarría’s camera follows the process of Santos de la Torre and his family helping him in the making of a new mural that illustrates the history, mythology and religious practices of the Huichol people and also their pilgrimage to Wirikuta, the sacred place for them where he goes to ask their gods for permission to create his new work.