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Possible Answers:
RASA.
Last seen on: LA Times Crossword, Sun, Jan 15, 2023 – “We’re Done Here”
Random information on the term “Tabula __”:
Tabula was an American fabless semiconductor company based in Santa Clara, California. Founded in 2003 by Steve Teig (ex-CTO of Cadence), it raised $215 million in venture funding. The company designed and built three dimensional field programmable gate arrays (3-D FPGAs) and ranked third on the Wall Street Journal’s annual “Next Big Thing” list in 2012.
Tabula developed ABAX, a family of three-dimensional integrated circuits. The company’s field-programmable gate array (FPGA) chips were marketed as 3-D programmable logic devices or 3PLDs. The chips have 220-630 thousand 4-input lookup table (LUT) from the user point of view and are capable of working at 1.6 GHz physical clock speed. They also contain up to 1280 digital signal processing (DSP) blocks with 18×18 multipliers with pre-adder; up to 920 GPIO pins and 48 SerDes channels (up to 6.5 Gbit/s). ABAX are produced using 40 nm TSMC process and packaged in flip-chip packages with 1936 or 1156 pins.[citation needed]
Random information on the term “RASA”:
In Indian aesthetics, a rasa (Sanskrit: रस) literally means “nectar, essence or taste”. It connotes a concept in Indian arts about the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience but cannot be described. It refers to the emotional flavors/essence crafted into the work by the writer and relished by a ‘sensitive spectator’ or sahṛidaya, literally one who “has heart”, and can connect to the work with emotion, without dryness.
Rasas are created by bhavas: the state of mind.
The rasa theory has a dedicated section (Chapter 6) in the Sanskrit text Natya Shastra, an ancient text on the arts from the 1st millennium BCE attributed to Bharata Muni. However, its most complete exposition in drama, songs and other performance arts is found in the works of the Kashmiri Shaivite philosopher Abhinavagupta (c. 1000 CE), demonstrating the persistence of a long-standing aesthetic tradition of ancient India. According to the Rasa theory of the Natya Shastra, entertainment is a desired effect of performance arts but not the primary goal, and the primary goal is to transport the audience into another parallel reality, full of wonder and bliss, where they experience the essence of their own consciousness, and reflect on spiritual and moral questions.