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Possible Answers:
FAME.
Last seen on: –NY Times Crossword 1 Apr 23, Saturday
Eugene Sheffer – King Feature Syndicate Crossword – Nov 23 2022
Random information on the term “Notoriety”:
Notorious is a 1946 American spy film noir directed and produced by Alfred Hitchcock, starring Cary Grant, Ingrid Bergman, and Claude Rains as three people whose lives become intimately entangled during an espionage operation.
The film follows U.S. government agent T.R. Devlin (Grant), who enlists the help of Alicia Huberman (Bergman), the daughter of a German war criminal, to infiltrate a circle of executives of IG Farben hiding out in Rio de Janeiro after World War II. The situation becomes complicated when the two fall in love as Huberman is instructed to seduce Alex Sebastian (Rains), a Farben executive who had previously been infatuated with her. It was shot in late 1945 and early 1946, and was released by RKO Radio Pictures in August 1946.
Notorious is considered by critics and scholars to mark a watershed for Hitchcock artistically, and to represent a heightened thematic maturity. His biographer, Donald Spoto, writes that “Notorious is in fact Alfred Hitchcock’s first attempt—at the age of forty-six—to bring his talents to the creation of a serious love story, and its story of two men in love with Ingrid Bergman could only have been made at this stage of his life.” In 2006, Notorious was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.
Random information on the term “FAME”:
Fame (German: Ruhm) is a 2009 novel by the Austrian-German writer Daniel Kehlmann. The narrative consists of nine loosely connected stories about technology, celebrity and alienation. The book has the subtitle “A novel in nine episodes” (“Ein Roman in neun Geschichten”). A movie has been created about it called Glory: A Tale of Mistaken Identities [de] (2012).
Gregory Leon Miller of the San Francisco Chronicle called the book “a darkly comic masterpiece, a rare and thrilling example of a philosophical novel as pleasurable as it is thought-provoking.” Miller wrote that “Kehlmann insightfully explores fame’s spell”, and “The novel’s more somber existential propositions are leavened by Kehlmann’s penchant for offhand absurdity. … Other books have gained more attention this season. None are more deserving.” Edmund Gordon of The Observer wrote that “if there is a criticism to be made of Fame, it is that the impression it gives – of this wildly successful young author shaking his head at the Kafkaesque lifestyle his reputation has foisted upon him – can seem rather irritating”. Gordon also argued that the book is not a novel but a short story collection, and assumed it was marketed as a novel only because “short story collections do not sell”. Gordon wrote: “This mild deception clearly doesn’t affect the simple elegance of Kehlmann’s writing or the brilliance of his wit. But his willingness to package his work in a way that makes it more marketable (and a writer with so many sales behind him must have had some say in the matter) suggests a level of collusion with that bitch villain of his new book.”