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goblin mode

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OED.

Last seen on: Daily Boston Globe Crossword Thursday, 2 November 2023

Random information on the term “goblin mode”:

Goblincore is an internet aesthetic and subculture inspired by the folklore of goblins, centered on the celebration of natural ecosystems usually considered less beautiful by conventional norms, such as soil, animals, and second-hand objects.

Second-hand and thrifted clothing feature prominently in the fashion of goblincore, often emphasizing comfort and brown, green, and clashing colours. The aesthetic often features idealised imagery of natural creatures such as snakes, frogs, snails, and earthworms; animal skeletons and rocks; plants and fungi like ferns, moss, and mushrooms. Journalist Sabrina Faramarzi has stated that the subculture is about “chaos, dirt and mud.”

Proponents of the subculture have also been noted to collect shiny objects, similarly to folklore goblins, such as silverware, small jewelry, and coins. The subculture has been described as connected to maximalism and escapism.

Alternative names also used for the subculture include crowcore, dirtcore, cottagegoth, and feralcore.

goblin mode on Wikipedia

Random information on the term “OED”:

Richard Chenevix Trench (Richard Trench until 1873;[citation needed] 9 September 1807 – 28 March 1886) was an Anglican archbishop and poet.

He was born in Dublin, Ireland, the son of Richard Trench (1774–1860), barrister-at-law, and the Dublin writer Melesina Chenevix (1768–1827). His elder brother was Francis Chenevix Trench. He went to school at Harrow, and graduated from Trinity College, Cambridge in 1829. In 1830 he visited Spain. While incumbent of Curdridge Chapel near Bishop’s Waltham in Hampshire, he published (1835) The Story of Justin Martyr and Other Poems, which was favourably received, and was followed in 1838 by Sabbation, Honor Neale, and other Poems, and in 1842 by Poems from Eastern Sources. These volumes revealed the author as the most gifted of the immediate disciples of Wordsworth, with a warmer colouring and more pronounced ecclesiastical sympathies than the master, and strong affinities to Alfred Lord Tennyson, John Keble and Richard Monckton Milnes.

OED on Wikipedia

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